![]() ![]() The opening theme for episode 7 is Lyricure Go Go! ( リリキュアGOGO!), performed by Ai Nonaka, Marina Inoue and Ryōko Shintani. The opening theme is "Kūsō Rumba" ( 空想ルンバ), performed by Kenji Ohtsuki and Zetsubō Shōjo-tachi. Ī 13-episode second season, titled (Zoku) Sayonara, Zetsubou-Sensei ( 【俗・】さよなら絶望先生), was broadcast from January 5 to March 29, 2008. A second DVD summary episode was released on August 27, 2008. Despair Preface: Despair Girls Collection") was released on January 1, 2008. A special 50-minute DVD summary episode titled Sayonara, Zetsubou-Sensei Jo: Zetsubō Shōjo Senshū ( さよなら絶望先生 序〜絶望少女撰集, lit. The ending theme is "Zessei Bijin" ( 絶世美人, "Absolute Beauty"), performed by Ai Nonaka, Marina Inoue, Yū Kobayashi and Ryōko Shintani. The second opening theme is "Gōin ni Mai Yeah" ( 強引niマイYeah~), performed by Ai Nonaka, Marina Inoue, Yū Kobayashi, Miyuki Sawashiro and Ryōko Shintani. The first opening theme is "Hito Toshite Jiku ga Bureteiru" ( 人として軸がぶれている, "As a Human, I'm Quite Warped"), performed by Kenji Ohtsuki featuring Ai Nonaka, Marina Inoue, Yū Kobayashi, Miyuki Sawashiro and Ryōko Shintani. It aired in Japan on TV Kanagawa and other networks between July 7 and September 23, 2007. Sayonara, Zetsubou-Sensei was adapted into a 12-episode anime television series, directed by Akiyuki Shinbo and animated by Shaft. See also: List of Sayonara, Zetsubou-Sensei episodes The anime also regularly refers to the date as though Emperor Hirohito were still alive, such that Heisei 20 (the twentieth year of Emperor Akihito's reign, or 2008 by the Gregorian calendar) becomes "Shōwa 83". The anime carries this further through a washed-out, grainy visual style that mimics film, and frequent use of katakana (rather than hiragana) as okurigana. The chapter title pages are drawn to resemble karuta cards, with an illustration in a silhouetted kiri-e style. However, the fashion of women typically follows the modern girl trend, which is a break from the Meiji period and signifies the style of the Taishō period.Ĭhapter titles are oblique references to literature, modified to suit the needs of the chapter. This is exemplified by Nozomu and Matoi consistently wearing a kimono and hakama (an obsolete style of Japanese school uniforms in the late 1800s), but is also evident in stylistic choices such as the anachronistic appearance of architecture, vehicles, and technology indicative of the Taishō period. Many aesthetic aspects are meant to evoke Taishō liberalism, Taishō Romanticism (see Japanese literature) and Taishō arts (see Hanshinkan Modernism). While ostensibly set in the present day relative to its original serialization, the manga uses a variety of aesthetic tropes that evoke the Taishō period, the relatively liberal period in Japan before the rise of militarism in the Shōwa period. ![]() These in-depth, off-kilter analyses (along with the reactions of the students according to their own personality quirks) are usually brought to a head with a punchline based on the overall premise, or more rarely, a non-sequitur gag or piece of fan service. On other occasions, Nozomu challenges his students to think about the negative aspects of something usually considered positive. Typically, this involves the subject being taken either to its most logical extreme (a discussion of amakudari, the practice of "descending" from the public to the private sector, results in Nozomu "descending" until he reaches his previous life), or taken literally (in Nozomu's family, omiai, normally a meeting between a potential match in an arranged marriage, is instead a marriage made official by eye-contact). Not only that, but Kafuka is just the tip of the iceberg, due to each and every student in his class representing a new personality quirk or bizarre obsession, posing challenges that he must overcome in spite of himself.Įach chapter or episode of the series revolves around a particular aspect of life, Japanese culture, or a common phrase in the Japanese language. After having enough of the strange Kafuka, Nozomu bolts to the school and starts his homeroom class, but the attempt to escape was in vain as he finds that she is one of his students. She decides to nickname Nozomu "Pink Supervisor" ( 桃色係長, Momoiro Kakarichō), and offers to pay him fifty yen to call him by that nickname. She explains to him that it is simply unimaginable that he would hang himself on such a nice day, especially in front of such beautiful trees. He is saved by an extremely optimistic student known only as Kafuka Fuura (though in her effort to save his life, she almost kills him). Sayonara, Zetsubou-Sensei revolves around a very pessimistic high school teacher named Nozomu Itoshiki who, at the very beginning of the series, tries to hang himself on a sakura tree. See also: List of Sayonara, Zetsubou-Sensei characters
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